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Edouard Manet
French Realist/Impressionist Painter, 1832-1883 The roughly painted style and photographic lighting in these works was seen as specifically modern, and as a challenge to the Renaissance works Manet copied or used as source material. His work is considered 'early modern', partially because of the black outlining of figures, which draws attention to the surface of the picture plane and the material quality of paint. He became friends with the Impressionists Edgar Degas, Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, Paul Cezanne, and Camille Pissarro, through another painter, Berthe Morisot, who was a member of the group and drew him into their activities. The grand niece of the painter Jean-Honor?? Fragonard, Morisot's paintings first had been accepted in the Salon de Paris in 1864 and she continued to show in the salon for ten years. Manet became the friend and colleague of Berthe Morisot in 1868. She is credited with convincing Manet to attempt plein air painting, which she had been practicing since she had been introduced to it by another friend of hers, Camille Corot. They had a reciprocating relationship and Manet incorporated some of her techniques into his paintings. In 1874, she became his sister-in-law when she married his brother, Eugene. Self-portrait with palette, 1879Unlike the core Impressionist group, Manet maintained that modern artists should seek to exhibit at the Paris Salon rather than abandon it in favor of independent exhibitions. Nevertheless, when Manet was excluded from the International exhibition of 1867, he set up his own exhibition. His mother worried that he would waste all his inheritance on this project, which was enormously expensive. While the exhibition earned poor reviews from the major critics, it also provided his first contacts with several future Impressionist painters, including Degas. Although his own work influenced and anticipated the Impressionist style, he resisted involvement in Impressionist exhibitions, partly because he did not wish to be seen as the representative of a group identity, and partly because he preferred to exhibit at the Salon. Eva Gonzal??s was his only formal student. He was influenced by the Impressionists, especially Monet and Morisot. Their influence is seen in Manet's use of lighter colors, but he retained his distinctive use of black, uncharacteristic of Impressionist painting. He painted many outdoor (plein air) pieces, but always returned to what he considered the serious work of the studio. Manet enjoyed a close friendship with composer Emmanuel Chabrier, painting two portraits of him; the musician owned 14 of Manet's paintings and dedicated his Impromptu to Manet's wife. Throughout his life, although resisted by art critics, Manet could number as his champions Emile Zola, who supported him publicly in the press, Stephane Mallarme, and Charles Baudelaire, who challenged him to depict life as it was. Manet, in turn, drew or painted each of them.

 

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Edouard Manet An inclement in the Foils Bergere oil painting

Painting ID::  42787

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Edouard Manet
An inclement in the Foils Bergere
MK169 1881-82 oil Paint on cloth 95.2x129.5cm
   
   
     

 

 

Edouard Manet Olympia oil painting

Painting ID::  42788

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Edouard Manet
Olympia
MK169 1862-63 Shut down 130x190cm
   
   
     

 

 

Edouard Manet Music in the Tuileries Garden oil painting

Painting ID::  43341

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Edouard Manet
Music in the Tuileries Garden
mk170 1862 Oil on canvas 76.2x118.1cm
   
   
     

 

 

Edouard Manet Corner of a Cafe-concert oil painting

Painting ID::  43342

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Edouard Manet
Corner of a Cafe-concert
mk170 1878-1880 Oil on canvas 97 1x77.5cm
   
   
     

 

 

Edouard Manet The Execution of Maximilian oil painting

Painting ID::  43343

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Edouard Manet
The Execution of Maximilian
mk170 1867-1868 Oil on canvas 193x284cm
   
   
     

 

 

Edouard Manet Der Balkon oil painting

Painting ID::  45296

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Edouard Manet
Der Balkon
mk181 1868-69 Paris Musee d-Orsay
   
   
     

 

 

Edouard Manet Das Fruhstuch im Freien oil painting

Painting ID::  45301

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Edouard Manet
Das Fruhstuch im Freien
mk181 1863 Paris
   
   
     

 

 

Edouard Manet the beer waiter oil painting

Painting ID::  45469

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Edouard Manet
the beer waiter
mk186 1878/79 London nationally Gallery
   
   
     

 

 

Edouard Manet Pinakothek new the Fruhstuck in the studio oil painting

Painting ID::  45474

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Edouard Manet
Pinakothek new the Fruhstuck in the studio
mk186 1868 Munchen
   
   
     

 

 

Edouard Manet The Fruhstuck in the free oil painting

Painting ID::  45482

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Edouard Manet
The Fruhstuck in the free
mk186 1863 Paris muse d' Orsay
   
   
     

 

 

Edouard Manet That ham oil painting

Painting ID::  45525

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Edouard Manet
That ham
mk186 1875-78 Glasgow, type Gallery and museum
   
   
     

 

 

Edouard Manet Style life with carp and oysters oil painting

Painting ID::  45541

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Edouard Manet
Style life with carp and oysters
mk186 1864 Chicagos type of institutes
   
   
     

 

 

Edouard Manet Oysters oil painting

Painting ID::  45542

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Edouard Manet
Oysters
mk186 1862 Washington nationally Gallery
   
   
     

 

 

Edouard Manet Brioche with flower and fruits oil painting

Painting ID::  45628

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Edouard Manet
Brioche with flower and fruits
mk186 around 1870 New York, Metropolitan museum
   
   
     

 

 

Edouard Manet Bar in the foil Bergere oil painting

Painting ID::  45658

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Edouard Manet
Bar in the foil Bergere
mk186 1882 London, Courtauld institutes gall lawn
   
   
     

 

 

Edouard Manet Bar in the foil-Bergere oil painting

Painting ID::  45659

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Edouard Manet
Bar in the foil-Bergere
mk186 1882 London, Courtauld institutes gall lawn
   
   
     

 

 

Edouard Manet The horseman oil painting

Painting ID::  45925

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Edouard Manet
The horseman
nj178 1875 oils on linen 90x116cm
   
   
     

 

 

Edouard Manet Having lunch on the grassplot oil painting

Painting ID::  48680

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Edouard Manet
Having lunch on the grassplot
mnk191 1863 Oil on canvas 208x264cm
   
   
     

 

 

Edouard Manet Having lunch on the grassplot oil painting

Painting ID::  48681

X 
 

Edouard Manet
Having lunch on the grassplot
mk191 1863 Oil on canvas 208x264cm
   
   
     

 

 

Edouard Manet The Concert oil painting

Painting ID::  48689

X 
 

Edouard Manet
The Concert
mk191 1862 Oil on canvas 76x118cm
   
   
     

 

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Edouard Manet
French Realist/Impressionist Painter, 1832-1883 The roughly painted style and photographic lighting in these works was seen as specifically modern, and as a challenge to the Renaissance works Manet copied or used as source material. His work is considered 'early modern', partially because of the black outlining of figures, which draws attention to the surface of the picture plane and the material quality of paint. He became friends with the Impressionists Edgar Degas, Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, Paul Cezanne, and Camille Pissarro, through another painter, Berthe Morisot, who was a member of the group and drew him into their activities. The grand niece of the painter Jean-Honor?? Fragonard, Morisot's paintings first had been accepted in the Salon de Paris in 1864 and she continued to show in the salon for ten years. Manet became the friend and colleague of Berthe Morisot in 1868. She is credited with convincing Manet to attempt plein air painting, which she had been practicing since she had been introduced to it by another friend of hers, Camille Corot. They had a reciprocating relationship and Manet incorporated some of her techniques into his paintings. In 1874, she became his sister-in-law when she married his brother, Eugene. Self-portrait with palette, 1879Unlike the core Impressionist group, Manet maintained that modern artists should seek to exhibit at the Paris Salon rather than abandon it in favor of independent exhibitions. Nevertheless, when Manet was excluded from the International exhibition of 1867, he set up his own exhibition. His mother worried that he would waste all his inheritance on this project, which was enormously expensive. While the exhibition earned poor reviews from the major critics, it also provided his first contacts with several future Impressionist painters, including Degas. Although his own work influenced and anticipated the Impressionist style, he resisted involvement in Impressionist exhibitions, partly because he did not wish to be seen as the representative of a group identity, and partly because he preferred to exhibit at the Salon. Eva Gonzal??s was his only formal student. He was influenced by the Impressionists, especially Monet and Morisot. Their influence is seen in Manet's use of lighter colors, but he retained his distinctive use of black, uncharacteristic of Impressionist painting. He painted many outdoor (plein air) pieces, but always returned to what he considered the serious work of the studio. Manet enjoyed a close friendship with composer Emmanuel Chabrier, painting two portraits of him; the musician owned 14 of Manet's paintings and dedicated his Impromptu to Manet's wife. Throughout his life, although resisted by art critics, Manet could number as his champions Emile Zola, who supported him publicly in the press, Stephane Mallarme, and Charles Baudelaire, who challenged him to depict life as it was. Manet, in turn, drew or painted each of them.